Max Keeble - Actor - Faithful Ruslan: The Story of a Guard Dog - 2017 - Theatre

Faithful Ruslan: The Story of a Guard Dog - 2017

 

Where I’ve been.

TEACHER

Private workshops

Amplified Arts Academy

Drama Studio London

Drama Centre London

Rose Bruford

RADA

Alexandra Palace Young Actors Company

Identity School of Acting

Guildhall School of Music and Drama

MOVEMENT DIRECTOR

Tokio Myers - Enter the Jungle ft. Akala

You Me at Six - Beautiful Way

You Me at Six - Suckapunch

Preditah x WSTRN - Distant Memory

This Beautiful Future - Jermyn Street Theatre

ACTOR

Ruslan - Faithful Ruslan: The story of a Guard Dog

Father - I Run

Shakespeare’s Globe

Topboy

My full acting CV

  • “There’s nothing like it and I’m glad I did it.”

  • “He’s got a really unique energy, really genuine and not bull****ty."

  • “Max fosters a very exciting space. He remains authentic and guides the group gently but honestly.”

  • “Full of joy and exploration. I usually am not keen on movement but this changed my opinion.”

  • “Connecting to your body and feelings is easier than you think.”

  • Peter Hadfield Actor Headshot

    “I approached Max having been cast in the London Debut of 'The Moors' by Jen Silverman. The character was a dog in human form and I couldn't think of anyone better to help me with this than Max, who was my teacher at Drama School. We workshopped different triggers to get into the character such as shifting weight and then played around connecting physicality with emotion and feeling. I would definitely recommend Max to anyone looking to explore animal studies or just using it as an approach to acting.”

    Peter Hadfield

  • “Absolute magic. Insightful, playful and encouraging. Shifted my thinking and feelings towards work. I embodied a process to create character and Max created a space to aid me in realising more of my creative potential. I’d highly recommend him to explore and deepen your work or to just try something new.”

    David Bankole

  • "Max has a way of gently drawing things out from within that are immensely valuable and insightful when facing a performance or text that you feel you have hit a dead end with. It feels like a natural slowing down and allowing truthful elements to present themselves from a deep inner source, instead of just chasing after pre-conceived ideas or approaches. If you feel stuck in your head about how to approach a character or how to play a scene and want to take a deep guided journey that explores the depths of your inner imagery, I cannot recommend Max and his work enough.”

    Scott Burchell

  • Working with Max on the process of "rewilding the mind" has been an incredibly transformative and creative experience. Our time together was very brief, but I still accessed parts of character that I wouldn't have accessed, had I gone the traditional route. His work enables you to let go of rigid, conventional ways of approaching building a character through free and abstract thought; a system which I feel lacks in many traditional drama school settings. Would highly recommend anyone feeling "stuck" or a bit held back by those long-established, formal methods.

    Ojan Genc