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Animal studies is ancient, mysterious and relatively unrecorded. You do it at drama school but don’t think about again. I see it like this: 

I provide a practice for actors that matches the mind up with the body to create great artists capable of dynamic, original and great work.

I start with a holistic approach to the actor themself: the human animal. We extend your physical expression and movement practice, nourish the inscape and imagination and integrate them.

Then into skills. Using Movement Psychology founded at The Drama Centre, through Laban and Stanislavskian technique put through animal embodiment (amongst many other things) I unlock an actor's ability to find, experience, use and express a sensation. 

I want really strong actors giving great performances, I want to work with them, to help them dive into a project or character, feel good about it, enjoy it and be confident. I want to be a part of work that strives to be artistic, alive and wild.